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Every track as a separate WAV from bar 1, at the session's native sample rate. Nothing on the master bus, and peaks below -6 dB.
Choose the number of songs and the track count. In Notes, add a released reference and anything in your demo that has to stay.
Zip the folder with the multitrack and your demo mix, then drop it into the uploader. You can also upload later.
Pay securely through Stripe. The exact total, add-ons included, is on the order page before you pay.
Play it on the speakers and headphones you know, then send notes. Six revision rounds are included.
The approved mix as a WAV, plus the instrumental, TV mix and stems at no extra cost.
Pick a genre and switch between before and after to hear what changes.
Max proved to be a professional and responsible mix engineer. He mixed my second
album and I’m really happy with the result. He feels music style, has the right
reaction to my edits, and careful attitude to our work.
Definitely a great collaboration!
My mix sounded excellent. better than I expected. Nice price and good service.
It’s always a pleasure work with Major mixing team. They’re courtently mixing my album and he’s out of this world…
Everything is perfect, World class!
Great service, the turnaround was fast and they perfectly understood all my requests although it was my first time with a professional mixing service. The final result was really good.
I definitely recommend them
Solid people. They real talk are hella diligent in the engineering game. Give them every detail and they’ll adhere to it to the T.
10/10
Great service! Very cooperative and have the best quality-sounding recordings
Awesome service. Very quick and amazing work.
Highly recommended.
I’m very satisfied with the services of Major Mixing.
Thank you for working on my song
Good and friendly response, satisfying results!
Send us the multitrack and get back a finished mix built around your reference: vocal, low end, space and movement, set by hand by a real engineer. Instrumental, TV mix and stems come free with every mix.
Make an Order*Price depends on the project size — calculate your exact price on the order page. Not happy with the result? See our refund policy.
You send every vocal, drum, synth and guitar as its own file. We build the song from those files until it sits next to your reference and holds up: the vocal reads clearly, the low end works on big speakers and on a phone, and the chorus lifts the way it should.
Mixing is where the song gets its sound. Mastering finishes the mix you approved, it doesn’t rebuild it, so most of what people hear on the final record is decided here.
Export every track as a separate WAV, all starting from bar 1 so they line up on our side, at the session’s native sample rate. Print the effects that are part of the sound, leave the master bus empty and keep peaks below -6 dB. Name the files clearly and zip the folder.
Add your demo mix so we can hear the arrangement and the effects you used, plus a released song as the reference. The demo isn’t the target: the reference is. Step-by-step export guides for each DAW are in our article on preparing a multitrack session before mixing. Not sure what counts as a track? Count every audio file you send, not the groups or the master bus.
The first mix comes back in 2–3 days per song, weekends included, counted from when your files are confirmed. Rush is 1 day per song at double the price. Put your release date in Notes and we plan around it.
Six revision rounds are included, and most mixes are done in one or two. Send notes the way you’d say them in the studio (“vocal up in the second verse”, “less reverb on the snare”) and we work through them. If it still isn’t right after six rounds, you get a full refund.
This is the work behind each mix. The order changes from song to song.
The final touch.
Last comes the mix bus: the glue and the overall shape of the sound, checked against your reference at the same level. We mix in Cubase and Pro Tools and bring in analog gear when the song calls for it.
Simple editing comes free with every mix. When a part needs more than that, these add-ons are on the mixing order form, priced per song.
Vocal Rescue ($100)
Manual pitch and time correction of the vocal, note by note, done by an engineer instead of an autotune preset. Off notes get pulled in, timing gets tightened, and the voice keeps its human character. It’s also available on its own as manual vocal editing. Any editing has to happen before the mix: it can’t be done on a finished master.
Music Editing, Radio Edit and AI Slop Removal
Music Editing ($50). A part in your session could have been recorded better? We repair or replace it: re-programmed drums, re-played parts, cleaned edits, so the mix is built on solid material. More on the music editing page.
Radio Edit ($25). A separate clean version with explicit words edited out, for radio and playlists that require it.
AI Slop Removal ($200). For tracks that started in a generator. A session musician re-plays the element that gives the track away most, usually the lead or the main hook, inside your session. The details are in our guide on making an AI-generated song sound real.
Book mixing on its own when the master is handled somewhere else: by your label, by a mastering engineer you already work with, or by us later. Mixing starts at $113 per song for sessions up to 20 tracks and goes up to $276 for 60–90 tracks.
If you want both from us, Complete Mixing and Mastering starts at $133 per song: we mix, you approve the mix, then we master it. Already have a finished mix? Mastering on its own is $50 per song.
We mix any genre. The before/after player above covers more than 20, from pop, country and punk to hip-hop, house, funk and orchestral. 11,000+ projects since 2019, records with 500M+ streams, and credits with Universal Music, Warner Music and Spinnin Records. Clients rate us 4.8★ across 300+ reviews on Trustpilot, Google, Reviews.io and Facebook.
Who mixes your song
Every track is mixed by a human engineer, Max Rayden or Ivan Taiga, each with 10+ years of major-label sessions behind them. We open your session, listen to it and make the decisions ourselves. No presets applied to a finished file.
Albums and EPs
Add the songs on one order and the multi-song discount is applied automatically. Put the running order and your release date in Notes so we can plan the delivery around it.
Not sure your session is ready? Send it for a free track review or drop it in the chat, and an engineer will tell you what it needs before you pay.
Online mixing is the same job as a mix in a studio, without you sitting in the room. You export the session from your DAW, upload it with a reference and notes, and the mix comes back for you to check on your own speakers. Your notes go back the same way until the mix is approved.
For mixing we need the multitrack, every channel as its own file. A stem is a group of tracks bounced together, all the drums as one file for example. The difference is explained in what stems are in music.
Yes — and this is worth doing before release. AI-generated tracks tend to share the same tells: timing that lands exactly on the grid, phrases that repeat identically, and a smeared, washed-out top end. A mix can polish those artifacts, but it cannot turn a generated part into a performance.
That is what the AI Slop Removal add-on ($200 per song, on the order form) is for: you send the multitrack, we find the element that gives the track away most — usually the lead or the main hook — and a session musician re-plays it live inside your session. One real performance changes how the whole record reads: groove, dynamics and tone stop sounding generated, and the track sits like a real recording.
The full breakdown – what gives AI tracks away, what the platforms now do about it, and how the fix works – is in our guide: How to make an AI-generated song sound real.
Mixing starts at $113 per song for sessions up to 20 tracks and goes up to $276 for 60–90 tracks. Add-ons and the number of songs change the total, and the multi-song discount is applied automatically. The order page shows the exact amount before you pay. Songs longer than 5 minutes cost 50% more.
For a mix we need the multitrack: every channel exported on its own, so the kick, snare, bass, piano, lead vocal and each background vocal arrive as separate files. A stem is a group of related tracks bounced to one file, such as all the drums or all the backing vocals. Stems are what stem mastering works from.
First of all, export your demo mix. Then you need to export the stems from your DAW. We have a list of video manuals:
Double check your audio files before uploading. Reload them into a new Session/Project, checking that they are in the correct placement and length. Finally zip your files.
Yes, please. Your rough mix shows us the arrangement, the balance you’re used to and the effects that belong to the sound. We listen to it before we start, so nothing you rely on gets lost in the mix.
Yes, one or two released songs with the sound you’re after. Tell us what you like in them: the vocal, the low end, the width. No reference? No problem, we’ll pick something close to your song.
No. The demo shows us the structure of the song and the effects you used, but we don’t mix toward it. For the sound you’re after, send a song that has been released on streaming platforms as the reference.
Six rounds on every mix, and most mixes are done in one or two. Notes like “snare louder in the bridge” or “drier vocal in the verses” are what a round is for. While your feedback is clear and we are moving in the right direction, we don’t count strictly. We would only quote for extra rounds if revisions go in circles or arrive without real direction, and we’d tell you first.
Any genre. The before/after player on the mixing page covers more than 20, from pop, country and punk to hip-hop, house and orchestral, and our mixing engineers have experience in almost all genres.
Our main office is in Rubi, Barcelona, Spain, and our engineers work remotely from a few different countries. It is the same named people on every record – not a marketplace and not a rotating pool of freelancers.
Sure! We have an option which is called Upgrade Mixing and Mastering – which is fully analog.
But we work mostly in the box. Basically, we choose an approach for each project (digital or analog). So we choose which will fit better. We’re working for the result, not just for the “analog mixed’ label.
Music Editing is when we replace some samples (kick, snare, bass, hats, etc) to increase the overall quality of sound. Also we are doing time alignment of instruments such as guitars and drums.
Manual Vocal Editing is pitch correction using a combination of Melodyne and Autotune to create gentle sounding perfect pitch vocals.
Sure! We have discounts for bulk deals. The size of the discount depends on the quantity of songs. You can always check it in the order window.
Of course! You can contact us via Live Chat on the website,
email: info@majormixing.com
facebook: https://www.facebook.com/majormixing
instagram: @major_mixing
A named engineer listens properly and writes back with exactly what is holding the track back and what to do about it. Free, always — no card, no order first, and no obligation to use us afterwards.
