We use cookies to run this site and, with your permission, to measure traffic and personalize ads. Choose what you're comfortable with below. See our Terms & Privacy Policy for details.
Required for the site and checkout to work. Cannot be turned off.
Helps us understand how visitors use the site (Google Analytics).
Used for ad measurement and personalization (Google Ads, Meta).
A 24-bit WAV at your session's sample rate, with nothing on the master bus and peaks around -6 dB.
Name, email and number of songs. In Notes, add a released reference that already sounds right to you on Spotify.
A WAV per song, or one zip for several. You can also upload later.
Card, Apple Pay or Google Pay on Stripe's secure checkout. You see the total before you pay.
Your Spotify master in 2–3 days per song. Listen on your phone and in the car, then send notes: 6 revision rounds are included.
A release-ready WAV per song, ready to upload to your distributor for Spotify.
The same real engineers work on every order. Listen to real results across genres before you order.
A master tuned for Spotify’s loudness normalization and encoding, with the loudness chosen for the song, not forced to -14 LUFS.
Make an Order*Price depends on the project size — calculate your exact price on the order page. Not happy with the result? See our refund policy.
Short answer: mastering for Spotify means making the master for the way Spotify actually plays it. By default Spotify turns every track to about -14 LUFS, so a louder file doesn’t play louder, and a master squashed only to win a loudness race just sounds flatter once it’s turned down. We set the loudness by the song, not by a number: a hard EDM track can sit far above -14 LUFS, a jazz record well below it, and both play back well. It’s $79 per song on this page, or a +$10 add-on when you order regular mastering.
| Spotify setting or case | What happens |
|---|---|
| Normal (default) | Played back at -14 LUFS integrated |
| Loud (Premium) | -11 LUFS, with a limiter that only works in this mode |
| Quiet | -19 LUFS |
| Master quieter than the setting | Turned up only as far as its peaks allow, keeping 1 dB of headroom |
| Album played in order | Normalized as one, so the levels between songs stay as mastered |
| True peak | Spotify recommends -1 dBTP, or -2 dBTP for masters louder than -14 LUFS |
| Web player, some devices | No normalization at all |
Source: Spotify for Artists, “Loudness normalization” (support.spotify.com), checked 30 October 2026. Loudness is measured to the ITU 1770 standard; normalization applies to lossy (Ogg Vorbis, AAC) and lossless FLAC playback.
Spotify has no loudness requirement. It publishes a playback reference and recommendations, and you upload through your distributor, which sets the file format.
Is -14 LUFS the target? No. It’s the level Spotify plays music at, a point of orientation, not a goal. Popular music typically sits around -9 LUFS integrated, and real releases range from about -5 to -20 LUFS. Mastering a hard EDM track down to -14 LUFS just to match the number takes away the density the genre is built on. Pushing a jazz track to -9 LUFS flattens the dynamics that make it breathe. The level is chosen for each song, by how it sounds after Spotify has turned it up or down.
Ordering regular mastering? Add Mastered for Spotify on the same order for +$10 per song.
What to send: a stereo WAV with nothing on the master bus and peaks around -6 dB, plus a released reference track that already sounds right to you on Spotify.
We have mastered for streaming since 2019: 11,000+ projects, 500M+ streams on records our engineers worked on, and 4.8★ from 300+ reviews. We are also an official Apple Digital Masters provider.
Want to master for Spotify yourself? Our guide how to master for Spotify covers LUFS, true peak and what Spotify does to quiet and loud masters.
Please bypass all the processing from the master bus. Make sure, that the peak values are no louder than -6dB. Files should be delivered as a 24 or 32 bit .wav file at their native sample rates.
You may send us a reference track to show us the sound you like. If there are no reference tracks – no worries, we will pick up something similar to your song.
Six rounds, included with every order. We do not count them strictly: if your feedback is clear and we are moving in the right direction, we keep going until it is right. Most projects are finished in one or two rounds. The only time we would quote for extra rounds is when revisions go in circles or arrive without real direction — and we would tell you first.
We work with any genre. We have a team of mixing engineers, which have a lot of experience in mixing and mastering almost all genres.
Our main office is in Rubi, Barcelona, Spain, and our engineers work remotely from a few different countries. It is the same named people on every record – not a marketplace and not a rotating pool of freelancers.
We need your demo in order to see the structure of the song, the effects were used. The demo mix CANNOT BE USED as a reference for mixing and mastering.
We accept as references, songs that are relevant to the current industry and have been released on streaming platforms.
Mastering is a process of finalization and preparing the track for distribution. It will definitely help your music sound in industry loudness, equalization curve, etc. In some cases it will help improve your sound, but a mastering engineer can’t fix mixing mistakes. You can choose the Stem Mastering option if you feel that your mix needs help but you don’t want to change a lot.
Stem mastering is a process where mastering engineer creates final master using pre rendered buses as drums, bass, accompaniment, vocals and background vocals.
So in this case the mastering engineer has more abilities to fix some mistakes and improve overall sound. However, I would certainly recommend working to get the mix to be as close to finished as possible, rather than adopt the “just fix it in post” attitude.
Mastering for Spotify is a master tuned to Spotify’s loudness normalization and encoding. Spotify turns most tracks down to about -14 LUFS, so we set the loudness by what the song needs, and the master doesn’t come out over-compressed once Spotify turns it down. On the Mastering for Spotify page it’s $79 per song; with regular mastering it’s a +$10 add-on.
No. -14 LUFS is the level Spotify plays music at, not a target for the master. Popular music typically sits around -9 LUFS, and real releases range from about -5 to -20 LUFS. We choose the level for each song by how it sounds after Spotify’s normalization.
Sure! We have discounts for bulk deals. The size of the discount depends on the quantity of songs. You can always check it in the order window.
Of course! You can contact us via Live Chat on the website,
email: info@majormixing.com
facebook: https://www.facebook.com/majormixing
instagram: @major_mixing.
A named engineer listens properly and writes back with exactly what is holding the track back and what to do about it. Free, always — no card, no order first, and no obligation to use us afterwards.