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Beat mixing for producers: send the beat as separate tracks and we mix it into an instrumental that hits hard and leaves room for a vocal. From $95 per beat, 2–3 days, 6 revision rounds, stems back with every mix.
Kick, 808, hats and every melody layer as separate WAVs, all lined up from the start.
Number of beats, track count, and notes: the vibe, a reference, and whether a vocal will go on top.
Put the tracks and a rough bounce in one zip and drop it in the uploader.
Pay through Stripe. The total, with any multi-beat discount, shows before you pay.
Your mix is ready in 2–3 days per beat. Send notes; 6 rounds are included.
The final instrumental WAV plus the mixed stems, free, ready for leases and trackouts.
For a beat, start with the HIP HOP INSTRUMENTAL tab, then switch between before and after.
Awesome service. Very quick and amazing work.
Highly recommended.
If you need fast, professional , friendly mixing mastering engineers Major Mixing is the way to go. There are never any issues and they do whatever it takes to get the job done! I work with them exclusively because the quality is always on point!
A++++
The guys really know what they do. My track sounds so powerful after they work on it.
Thank u Major Mixing.
Fantastic results. Insanely quick turnaround and attention to detail is unmatched.
Highly Recommend!
If you want to give life to your sound, here is the best solution!Fast service very good technical support!
Thanks, the song is sounding wonderful. Great customer service and quick turnaround time.
Keep it up!!!
Beat mixing for producers: send the beat as separate tracks and we mix it into an instrumental that hits hard and leaves room for a vocal. From $95 per beat, 2–3 days, 6 revision rounds, stems back with every mix.
Make an Order*Price depends on the project size — calculate your exact price on the order page. Not happy with the result? See our refund policy.
In a song, the mix is built around the lead vocal. In a beat there is no voice to carry the listener, so the drums, the 808 and the main melody have to do it on their own, and every weak spot is easier to hear.
We set the kick and the 808 so they stop fighting, keep the low end solid on a phone and on a club system, and give the melody enough width to hold attention through the loop.
If the beat is made for artists to rap or sing over, we keep the range where the vocal will sit open, so whoever records on it doesn’t have to fight the instrumental.
Beat mixing starts at $95 per beat for sessions up to 20 tracks, then $120 for 20–40 tracks, $150 for 40–60 and $220 for 60–90. That is below our song mixing price (from $113), since there is no lead vocal to build the mix around.
Order several beats at once and the discount is taken off automatically. You see the full amount on the order page before paying.
Beats longer than 5 minutes cost 50% more. The one add-on is Music Editing ($50 per beat): we repair or replace a weak sound in the session, such as a re-programmed drum or a cleaner edit, before the mix. Rush is 1 day per beat at twice the price.
A beat mixing order is the mix. If you want the beat mastered as well, order Complete Mixing and Mastering (from $133) instead, or send the finished stereo beat to mastering ($79). For mastering, export the mix with nothing on the master bus and peaks around -6 dB.
Artists often bring us songs recorded on a bought beat that arrives as one stereo file. We can mix the vocal onto it, but we can’t rebalance a kick or an 808 that is already printed into the instrumental. That is why it pays to mix the beat from its separate tracks before you sell or lease it.
Send every track as its own WAV from bar 1: kick, snare, hats, percussion, 808 or bass, each melody layer and the FX. Keep the effects that make the sound, like the distortion on the 808 or the reverb on the melody, bypass whatever sits on the master channel, and leave headroom so peaks stay around -6 dB. A rough bounce and one released track as a reference help us hear what you are going for.
If there is already a vocal on it, it is a song, and mixing is the right order.
What you get back: the final instrumental as a WAV, plus the mixed stems at no extra charge, so you can hand trackouts to an artist who leases the beat. Once paid, the mix is yours outright, with no royalties and no revenue share.
Beat Mixing is for producers who make instrumentals for artists to buy, lease or release. A buyer decides in the first seconds of the preview, so the mix has to sound finished on whatever they are listening on. Here is what we listen for first.
Two problems we hear in many beats:
The low end doesn’t hold. The kick and the 808 sit on top of each other, so on laptop speakers the bass disappears and on a big system it turns to mud. We give each one its own space and make sure the 808 still reads on a phone.
There is no room for the vocal. A beat can sound great alone and still bury the voice the moment an artist records on it, because the melody and the hats take the same range. We leave that range open, so the vocal sits on top and the artist doesn’t have to thin the beat out later.
The result is an instrumental that sounds finished in a preview and still works once a vocal is on it.
Zip the separate tracks of the beat together with a rough bounce. On the order form, choose how many beats and the track count, write a short note with a reference, tick Music Editing or Rush if you need them, upload the zip and pay.
$95 per beat for up to 20 tracks, $120 for 20–40, $150 for 40–60 and $220 for 60–90. Music Editing is $50 per beat and Rush doubles the price. Several beats in one order get a discount automatically, and you see the final amount before checkout. Beats longer than 5 minutes cost 50% more.
Separate tracks: every sound as its own file, so the kick, 808, snare, hats and each melody layer arrive apart. A stem groups several tracks, such as all the drums, and leaves us less control over the balance. If the beat only exists as a few stems, show us in the chat first.
Bounce each track to its own WAV, all from the very start of the project so they line up, with no processing on the master channel. Guides for each DAW:
Then zip the folder.
Yes. It shows us the arrangement and the effects you built into the sound. We use it as a map of the beat, not as the target.
Yes, one released track with the sound you want. Say what you like about it: the 808, the drums, the width. No reference? Tell us the genre and the kind of artist the beat is for, and we will pick one.
Yes, if a vocal will go on top. Tell us in the notes whether the beat is for an artist to record on or a finished instrumental release, and we will mix it for that.
Six rounds, and most beats are done in one or two. Notes like “808 a bit louder” or “less reverb on the melody” are what a round is for. Extra rounds are quoted only if the notes go in circles, and never without asking you first.
Trap, drill, boom bap, R&B, afro, pop, house, EDM and more. If it is an instrumental, we mix it.
Beat mixing is the mix only. For a mastered beat, order Complete Mixing and Mastering (from $133), or send the finished mix to mastering ($79).
Yes. With every mix you get the final instrumental WAV and the mixed stems for trackouts, at no extra cost.
You do. Once paid, the mix is yours outright, worldwide and in every format, with no royalties or revenue share. A credit is welcome but never required.
Yes, the discount grows with each beat you add to the order, and you see it on the order page before you pay.
Of course! You can contact us via Live Chat on the website,
email: info@majormixing.com
facebook: https://www.facebook.com/majormixing
instagram: @major_mixing
A named engineer listens properly and writes back with exactly what is holding the track back and what to do about it. Free, always — no card, no order first, and no obligation to use us afterwards.